Lydia’s Golden Drum
Cover Designer: Neale Osborne
Comments about cover design
This e-book is the sequel to my published debut ‘Lydia’s Tin Lid Drum’, and so the design had to be in keeping with that original book jacket. For the first cover, the colors (and ‘tinny’ foil effects) were added by my art director at Oxford University Press, and the lettering was by calligrapher Stephen Raw. For this self-published e-book, though, I was on my own, producing each element of the artwork separately in black-and-white, then adding ‘burnished’ effects in photoshop, and placing my own ‘Golden’ letters within the original calligraphy. The whole process took weeks of tinkering and dramatic ‘rethinkering’ to balance the many decorative elements and capture the spicy, fiery exoticism of this Arabian Nights-inspired tale.
Brenda Wheeler says
An eye catcher!
Kim Cowgar says
Although your eye is drawn away from the main character after the initial look, the cover is very eye-catching. All the small images make me curious about the story, like “how do they fit in?” and make me want to open the book and find out.
Laurana H says
I like this cover because it looks artistic and kind of like a paper cutting piece.
Deborah Carney says
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John Phythyon says
As striking as the colors are, I think this cover is too busy. There is way too much happening. All the images above pull focus from the Lydia, which is too bad because the illustration of her looks very nice. I’d get rid of the extraneous material and enlarge the illustration of your protagonist, so that it presents a more dominant and striking image to draw the eyes of potential buyers.